Donald Glover’s talents have not gone without being recognized.
I’d been a moderate fan of Donald Glover for several years. I appreciated him for his work as a writer for the first three seasons of the NBC sitcom 30 Rock, and as one of the stars of NBC’s adjacent sitcom Community.
My admiration for him elevated several notches with the first season of Atlanta. Taking on the task of being an executive producer, writer, star and partial director of the show proved to be an effective method for Glover, as the comedy-drama was well-received by many critics, as well as myself. It mastered the concept of creating humor without cramming punch lines into the script.
Despite my earlier fondness of Glover’s contribution to television, I’d never really been inclined to listen to his music. Bits and pieces of his discography would graze my eardrums from time to time, but I never made the point to give a deep listen.